Mx.D.P

In today’s rapidly changing world, art is an essential medium for making social and political change. Artists have the power to challenge societal norms, provoke thought, and ignite conversations that can lead to positive social metamorphosis.

When I wrote the heading page for this site, I described this spirit of artistic embodiment using the following words :

“Their focus … Geo-political climate crisis, gender identity and ableism.

Their art practice…

Contemporary Dada, Ironic materiality, Social Communication On a pin… Transmission”

Nothing can kill a blog quicker than a disquisitional analysis; however, in today’s blog post, I thought I might delve into that statement and its significance and get to the nitty gritty of my art practice.

The geo-political climate crisis of global warming is THE most pressing issue of our time (except for the potentially instant warming provided by an 800-kiloton nuclear warhead through the escalation of international conflict). I might opine that any future conflict might have its roots in the ‘fallout’ of the climate crisis. Therefore, there is no other more pressing narrative. The situation’s urgency compels me to use my art and whatever I have left of my life force, not as a platform to raise awareness (we have plenty of that) but to inspire positive action and give some much-needed hope.

Through ironic artistic endeavour, I capture the absurdity of climate change, highlighting the interconnectedness of human activities and the environment. By presenting these issues in a visually compelling manner, I aim to evoke empathy and encourage us all to reflect together on our impact on the planet and be part of the needed change.

My exploration of gender identity and refusal to accept and live in the binary is becoming an integral part of my perception.

I had an interesting discussion recently where a new acquaintance thought that this ‘new’ trend for ‘transgenderism’ was because people saw the need for change in a global sense, but as they felt disempowered to affect any real change, turned that inwards on themselves and decided to consciously and deliberately mutilate their gender. That they wouldn’t ‘pass’ as their new gender, and why would anyone do that?

I am always open to new positions. The exploration of internalised disempowerment was an interesting one. Still, from a personal perspective, I could only say I have always felt non-binary but didn’t have the words to describe it. My AFAB status has not been a thorn in my side but rather a misunderstanding. I thought that I was normal and that the accepted Western ideal of cis womanhood was somehow defective! My eventual recognition of my non-binary truth had been not an act of destruction but of enormous relief.

What could have been a gender identity gunfight at the NOT OK Coral became an opportunity for reflection and mutual understanding. We both looked at each other and laughed.

How this exploration of fluidity and complexity has impacted my work can be seen in my euphoric dismemberment of film, sound, paint, and writing, challenging traditional notions and stereotypes. By positively celebrating and embracing diversity and promoting inclusivity, my art serves to dismantle the normative and empower a more creative and understanding world.

Ableism, the discrimination and prejudice against individuals with disabilities, is something I’ve had plenty of experience with in the last few years.

The fight is seemingly endless, especially for those of us that won’t stay in our box. It is an uncomfortable issue within both the arts and society in general. However, this artist recognises the importance of shedding light on this injustice and advocating for inclusivity.

Through physical and digital art, I challenge ableist narratives and highlight the unique perspectives and talents of individuals with disabilities. By doing so, I aim to break down barriers and foster a more inclusive society that values and respects the contributions of all individuals.

My art practice is deeply rooted in Contemporary Dada and Ironic Materiality. Dadaism was an anti-art movement that emerged in the early 20th century; it sought to challenge traditional artistic conventions and provoke thought through absurdity and irrationality. Similarly, my quest employs unconventional materials and techniques to create thought-provoking and visually striking pieces. By juxtaposing unexpected elements and challenging the viewer’s expectations, I invite questions and explore new perspectives.

At the heart of my work lies the desire for social communication, a transmission of both knowledge and energy. Art can bridge gaps, spark conversations, and create connections between individuals from diverse backgrounds. I aim to open up a conduit of societal change and action. Whether through films, paintings, the digital world or a live performance, all catalyse a dialogue to reflect on our role in shaping a more sustainable future.

Transmission: I am Trans and I am on a mission…