Mx.D.P

XD artist, writer, and digital curator.

Their work: Climate Chaos Cruise App, KindPinkNet, and The Abstracted Materialism Manifesto, reflects a commitment to building creative, resilient communities that can withstand geo-political climate chaos.


To envision: an inclusive society founded on creative kindness using the universal language of art.

Category: Queering

  • The Performance of Abstracted Materialism (1st of July 2025 at Central St. Martins UAL London)

    Is that you Mx. D.P. ??? …well it is and it isn’t, its all of us…

  • The Grad Show 2050:2100

    Using Autoethnographic Abstracted Materialism, 2050:2100 weaponises art and collaboration to resist the void and establish a network of Creative Kindness. My work is driven by the impending Geopolitical Climate chaos of biome degradation, resource scarcity, mass migration and societal collapse. Using up precious resources, I asked A.I. when the Earth would become uninhabitable: ‘Predicting an…

  • Big Red…

    Well I never did find my sundress, but I did find a roll of red felt and thousands of rhinestones so the costume is coming along a treat! Rhinestones, have become a staple in the worlds of fashion, costume design, and decorative arts. Yet, behind the sparkle lies a set of environmental concerns that no…

  • MAPA, the CIA, Climate Chaos and my Sundress…

    I can’t find my sundress, I have a feeling it was already donated to charity long ago. For me it represented gender dysphoria and the worlds growing clothes mountain. What am I to make my dick and boobs out of? What I did find buried in my studio instead was some tribal belly dancing costumes…

  • Fearless Futures for The Void – An Art Rave

    This is a concept for a Queer exhibition… Concept: Fearless Futures for The Void is a celebration of Queer Life, where you open a portal to a otherworldly space known simply as The Void. This art happening merges immersive installation, rave culture, radical queer mentorship, and digital dreamscapes to create a place where absolutely anyone…

  • Sexy Games

    I have thought of my problem of ‘Earth Saving’, in terms of ‘Game Theory’. The Players: Collective humanity and the heteronormative power structures making decisions in the game. The Strategies: The options available to each player. The Payoffs: The rewards that players receive. Hetronormative Payoffs: A globalised economy Utility acquisition Money and ‘success’ without empathy…

  • Things are Grim

    ChatBox is a 2023 trained AI model, so this could be an AI hallucination, but I rather think it isn’t. Current estimates suggest warming of 3.6°C is more likely as climate policies are being stalled or reversed. The IPCC also outlines a worst-case scenario where global temperature could rise by 4.4°C by 2100 if fossil…

  • Queering an Exhibition

    Seen: Unseen – What Lies Between’ showing in the Main Barn Gallery of the Mid-Wales Arts Centre until Sunday 11th of May. https://midwalesarts.org My visit was described in on my blog https://mxdp.blog/2025/04/16/visit-the-power-of-ma/ The mid-wales art center is a modern barn set in the grounds of an old farm house. Its was a joint exhibition between…

  • Queering Art – Death of a Virgin

    Caravaggio’s Death of the Virgin (1601–1606) queered the established religious history painting conventions. It subverted, interrogated, and destabilised normative frameworks and birthed alternative perspectives. Caravaggio exposed the artificiality of religious painting. He made a deliberate and radical departure from the Catholic conventions that had seen the Virgin Mary as ascending into heaven not bodily dying. Traditional representations…

  • The Show 2050:2100

    Using Autoethnographic Abstracted Materialism, 2050:2100 weaponises art and collaboration to resist the void of climate chaos and establish a network of Creative Kindness. This work is driven by the impending Geopolitical Climate chaos of biome degradation, resource scarcity, mass migration and societal collapse. Using up precious resources, I asked A.I. when the Earth would become…

  • WHY?

    A Reflective Examination of Autoethnographic Practice and Networked Creativity: Abstracted Materiality as a Queered Conceptual Practice. While collating the Unit 3 Assessment, I wondered why I intuitively chose to abstract materiality within my process practice? Why did I conceptualise the prioritisation of ideas over traditional materiality? In this blog post, I want to focus on…