Mx.D.P

XD artist, writer, and digital curator.

Their work: Climate Chaos Cruise App, KindPinkNet, and The Abstracted Materialism Manifesto, reflects a commitment to building creative, resilient communities that can withstand geo-political climate chaos.


To envision: an inclusive society founded on creative kindness using the universal language of art.

Category: transgender

  • The Performance of Abstracted Materialism (1st of July 2025 at Central St. Martins UAL London)

    Is that you Mx. D.P. ??? …well it is and it isn’t, its all of us…

  • The Grad Show 2050:2100

    Using Autoethnographic Abstracted Materialism, 2050:2100 weaponises art and collaboration to resist the void and establish a network of Creative Kindness. My work is driven by the impending Geopolitical Climate chaos of biome degradation, resource scarcity, mass migration and societal collapse. Using up precious resources, I asked A.I. when the Earth would become uninhabitable: ‘Predicting an…

  • Big Red…

    Well I never did find my sundress, but I did find a roll of red felt and thousands of rhinestones so the costume is coming along a treat! Rhinestones, have become a staple in the worlds of fashion, costume design, and decorative arts. Yet, behind the sparkle lies a set of environmental concerns that no…

  • Unit 3 Assessment

    My art practice is THE NETWORK… The following 3 points summarise the three learning outcomes of my MA. I’ve been enabled to take a long hard conceptual look at the last 2 years… …the rest is all storytelling… 1. Realisation Over the course of my MA journey, I have developed a body of work that…

  • Queering an Exhibition

    Seen: Unseen – What Lies Between’ showing in the Main Barn Gallery of the Mid-Wales Arts Centre until Sunday 11th of May. https://midwalesarts.org My visit was described in on my blog https://mxdp.blog/2025/04/16/visit-the-power-of-ma/ The mid-wales art center is a modern barn set in the grounds of an old farm house. Its was a joint exhibition between…

  • The Show 2050:2100

    Using Autoethnographic Abstracted Materialism, 2050:2100 weaponises art and collaboration to resist the void of climate chaos and establish a network of Creative Kindness. This work is driven by the impending Geopolitical Climate chaos of biome degradation, resource scarcity, mass migration and societal collapse. Using up precious resources, I asked A.I. when the Earth would become…

  • WHY?

    A Reflective Examination of Autoethnographic Practice and Networked Creativity: Abstracted Materiality as a Queered Conceptual Practice. While collating the Unit 3 Assessment, I wondered why I intuitively chose to abstract materiality within my process practice? Why did I conceptualise the prioritisation of ideas over traditional materiality? In this blog post, I want to focus on…

  • From Hate to Kindness…

    9th May… I am three sessions in, and I can see progress. The bum prints went well; there is gooch and hair. The nipple one is not as good. I am printing on art wrap paper, which is waxy. Also, the gel plate was dirty. I normally like the roughage, but this didn’t pick up…

  • The 5min Film, Thank you for two wonderful years…

    Trigger warning: Flashing images, themes of Climate Chaos, War, Death, Global Anihilation, Sex… sadly no rock and roll… some funky music though… A Massive Amount of Community Art Activism and fish… An Agender Penguin, a Non-binary Polar Bear and a Nasty Oily Orca… and a lot of Art… nice… https://youtu.be/dHpbdGRtDKk?si=HUTOS8h3SXGptsHl

  • I hate them so far… which is probably a good start… The Hate to Kindness Banners…

    It is sunny with a fresh breeze on the beach. It was a perfect opportunity to try out the new painting bench. I started with a couple of layers of Liquitex clear gesso. This has a crystal aggregate that gives tooth to the canvas, and I know from previous experiments that I can lay watercolours…

  • Our Struggle

    Here, I look at some of the images from the sketchbook Our Struggle (German translation: Unser Kampf). They are not finished but its a good start. Select the first image, press on the i icon, and you can swipe through all the images and read the comments as you go along… Select the first image,…

  • What is it like…

    I always wondered what it would have been like to live in Germany during the first part of the 1930s. I lived in a hotel in Berlin for a few years until the Wall came down. I still have a bit of it in a plastic bag somewhere in the studio. Berlin changed before/during/after the…

  • Tutorial with JK 25th of April 2025

    This was very much a working Tutorial, and after our situational awareness catch-up, we got down to the business of the grad show. We discussed the current state of trans politics and how that affects my art practice, my future PhD, its associated art/network, and myself personally. First, you are what you are; none of…

  • Pink & Black: In Support of Trans Identity – The Workshop

    This workshop is designed for public art, creative connection and representation. It is available for anyone to run: The performance: Pink is made from many colours, including baby blue, to represent kindness and connection and black is an historic representation and pigment development of heteronormative colonial oppressive power structures. That pink can overcome the non-reflective…

  • I am Spartacus: I am Trans

    You can’t have a 🐓 wearing a dress, claiming to be a woman and with the right to use a ladies toilet!!! Really? Do you measure 🐓’s in the gents or muffs in the ladies… If someone asked to see my muff when using the loo I would punch the f*cker out! Come on it’s…

  • Process, Pain and Narcolepsy

    My sketchbook exploration of 2050:2100 is going well. My physical pain is not going well; my sciatica has switched legs. How the f*ck does it do that!!! Thankfully, after years of being a long-haul airline pilot and high-altitude mountaineer, I can fall asleep anywhere… sadly I still wake up in pain; it’s not helping my…

  • 0,10 The Last Futurist Exhibition

    50:00 Is it Pink? It is partly inspired by the 1915 exhibition, ‘The Last Futurist Exhibition of Paintings 0,10’ (pronounced ‘zero-ten’). It was held at Marsovo Pole, Petrograd, from December 19, 1915, to January 17, 1916. Organised by the Dobychina Art Bureau, this exhibition marked the debut of Suprematism, an art movement characterised by geometric…

  • 50:00 Is it Pink?

    This is the title for my new body of work that I hope to show at the Grad show. I’m collecting all my supplies of black and pink materials to make the work. The Sketch Book. I am testing my ideas before I go big… its going well so far… the music is a collaberation…

  • S3X Manifesto

    Basically, the Earth is F*ck. I can categorically say that after 3 years of reading scientific data. I was talking to a climate change student last night, and their university offers them mental health counselling as part of their course; it’s that grim. Mass Migration, Resource scarcity, Unpredictable climate chaos, and climate breakdown. But before…

  • WOW

    The interesting part of an autoethnographic art practice is the minutiae of self-examination. On Friday, I had a meeting with my prospective PhD supervisors. As always, it was a Wow moment. The stuff we talked about can’t help but affect my art practice; it is impossible for it not to. Pain is an unwelcome companion…

  • Rivers never run straight…Survive/Thrive/Seredipity

    At the moment, I am surviving, but I can’t say I am thriving. The bloody cats are killing me… up five times last night. I don’t think two chest-fed kids were this much work, but I’ve probably forgotten, and I was a quarter of a century younger and a lot, lot fitter… In other art…

  • The Onion – A Temporal Turn

    Well, I was chatting to my daughter about grief; it’s not easy, is it? Grief is like layers of an onion; you peel one off, and there is more underneath, raw and smelly, making your eyes water. I’m not sure I like onions… Gwyl Cariad is in its final week, and lots is going on.…

  • Gender Traitor

    Coming Out: When Gender Finally Makes Sense I’ve spent nearly six decades being called “she.” Six decades of checking the “F” box on forms. Six decades of being someone’s daughter, sister, wife, and mother. Six decades of thinking there was something wrong with those other feminine women. Me trying to perform feminity, but looking in…

  • Climate conversation workshops and overview of current practice.

    It’s report-writing time now. The overall view is people need more information. They need clear guidance, and they are legitimately worried. Extreme weather has marred the two public in-person workshops, which is rather appropriate. The best experience for me was with young adults with delayed learning difficulties. In many ways, they were the most verbal…

  • The Last Star – TW Gender Dysphoria

    Gender dysphoria is a funny old thing. You never know when it’s going to come and f*ck with you! When I first came out as non-binary I had mixed reactions from those I care about. I think most queer folks experience that when they come out. The overwhelming take was, well you are the same…

  • Film Feedback Loop (The Miro Board)

    I thought I’d reflect on the Miro feedback, I will listen to the what worked for me later… (with a box of tissues) Reading the Miro comments was fascinating because some of you understood my practice, and some didn’t! This means that, in real terms, I haven’t fully explained it. That’s pretty important for me!…

  • The Climate Workshops and Tech

    I am writing this on my new iPad with a keyboard. I don’t like buying new tech; it’s not good for the planet, but it seems it is good for me. When my heart stalls, my touch screen doesn’t work… it thinks I am dead. Managing my enviroment is a day to day struggle. This…

  • My Art Practice – The Film

    A 3 minute film all about my art practice. https://youtu.be/7_8TJBQgmio?si=afdGtwaxTyMnVzMN

  • Unit Two Assessment

    Learning Outcome 1: Where did this start? What happened? Where are we going?… I started in unit one with this diagram, and I’ve circled in red the areas that have changed. I acknowledged in the first unit assessment that my practice would change. My Art Practice is The Network. A network is rarely fixed; it…

  • Should We Put The Genie Back in The Bottle? – ai Agents of change

    Walton (2024) asks ‘Is AI Art Less Carbon Intensive Than Human Art?’ They are looking at a paper by Tomlinson et al. (2024) that proposes that the carbon emissions of image and copy production are lower when we use ai opposed to when a human creates it. Already in this blog, I have done what…

  • Agender

    The next flag is Agender. Over the last year of art action research, exploring and defining what my gender means to me, I have been able to hone down and understand better the nuience of gender identity. The flag project is based on an online test, which was devised for an academic study but has…

  • Post-Graduate Heirloom

    I was chuffed to be part of this project and exhibition. The work is on a tour of UAL colleges and on display in London for the next few months. Then, it will become part of the UAL Archives and special collections. My work was sewn next to my dear friend, the amazing Madeleine Kay,…

  • Agender Tigers, Monsters and Mermaids… It’s up… oh I found more…

    So, I got the finished tattoo art up in the studio… on the walls, the cupboard, the hallway and even the ceiling. After saying I would probably never tattoo any of these designs, a regular saw the boar and devil on the ceiling and has booked to have them tattooed on his sleeve in two…

  • The Tattoo Painting Project is Finished… or is it?

    This project started as a tidy-up when I swapped the studio around. I found sheets of tattooing designs that reimagined 120 years of tattooing. I had drawn these in lockdown on Procreate and had printed them on Blockinford St. Cuthbert’s Mill 300gsm cold press watercolour paper. A handful I had painted, but these had not…

  • Full On – Walk in my shoes

    Been a busy time, great to see my dear friend at his meet the artist night with Aberrations and Ceredigion Museum in conjunction with The British Museum. Every day is a learning day, and I know I have so much to learn, especially about BAME and colonialism. I grew up in a racist culture and…

  • Red Clay and the Possibility of Art

    Yesterday was the end of the first year of my MA. We ended our year with a Clay-focused afternoon. Of course, like anything on this course, nothing is as it seems, and it was indeed very little to do with clay. Possibility would be my takeaway from this year. Like a block of Red Clay…

  • What is Art ?

    What is Art (2024) is an art installation made for the BorthFest Pilot Art Festival. It asks how, where, and what art should be. Inspired by the panels made for the identity flag project, specifically the Trans Flag F*sting the Oil Companies (2024) for my Fine Art MA at Central Saint Martins UAL. It looks…

  • It’s not about what’s in your life it’s about how you view you life… it’s about your mind set
  • First Draft: Abstract, Notes and Reading List

    Working Title: Insights into Art’s Response to chaos threat and it’s ability to wrought social change viewed through the lens of Temporal Queer Theory: The Juxtaposition between Pablo Picasso’s Guernica (1937) and Hillary Powell’s Bank Job (2018-19) Abstract: This paper suggests that scaled community work engaged with the politics of public participation to reimagine art’s…

  • F*sting The Oil Companies FTOC

    Ironic materiality is at play again. The FTOC pages have had a wash of 1970s rose madder last week on the ‘pink side’ and today a second layer of blue on the ‘blue side’. The first blue wash was a mix of cobalt blue left over from paintmaking. Today was a wash of Winsor and…